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Charles George Isreal Scott III & Mark Thomas Sorrentino II (663) - Meditations On Transformation & Growth

by 663

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1.
Humanness In Two Contexts Taken Out Of Context 13:36
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2.
Infinity As Catalyst 13:49
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3.
Bob Dylanger Escape Plan 02:36
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4.
New Concepts In The Field Of Cassingle (Relevant) 02:08
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5.
Reaction To Scale And Proportion 06:12
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6.
Simultaneous Perspectives 11:23
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7.
Transition Between Finality And New Path 09:54
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about

As early as 2008, during the financial crisis, composers Charles George Isreal Scott III and Mark Thomas Sorrentino II who are collectively known by the alias 663, have been collaborating on experimental works involving unconventional uses of various electronic instruments such as drum machines, electronic keyboards, compact disc turntables and so on; producing inaccessible noise music with little to no traditional song structure or melodic foundation. After developing several years of production experience individually, the duo reconvened after some hiatus to begin working on ethereal ambient music. On this recording are compositions which are both meditative and disruptive; soundscapes built on ecstacy, struggle, entropy and beauty.

Later, although growing jazz paintings, neither were Art Farmer. At the time, disinterest was in fact insult-infatuation and multiple exposures to materials treated with silver nitrate had revealed scenes from a different time within the shadows of their composition. And then, while staring at the page, every sentence became a snake eating itself. It is considered by some that falafel sizing is not as important as all waffle financing and while empirical evidence may vary, approximately 67-89% of mature adult humans should not be driving. A conundrum takes advantage of percussion.

While considering every possible outcome, infinity occurred, and there were no words. Objective opinions about the concept were irrelevant as objects lack perspective. If a higher dimensional entity were to clarify the significance of humanity and weigh its detriments, a truffle would seem about as rare as a douchebag in a truck. For a fun look, ask a clerk at a donut shop for your eclair to be cremated. And yet, as inspiration in the context of armchair philosophy fantastically leaps out of every TED Talk to cause a blurry go get em tiger emotion to stir within lethargic individuals around the world, so too does every municipal court serve its community every day by providing a reliably depressing environment in which citizens can feel free to pay premium prices for un-needed services such as being directly informed of minor traffic violations.

Indeed it could be surmised that by the time every skyscraper has completely eroded there could still be one or more well preserved bathroom stalls with perhaps a clever dick joke among profanities involving sex acts carved into it, and while a more positive representation of the species could be possible, would it be any more relevant within the context of infinity? Perhaps this question would be better answered by another species yet to be imagined by even our most intelligent, diligent, persevering, talented, enduring, capable, innovative and fearless young scientists.

credits

released April 7, 2018

Compositions, production, sound design by Charles George Isreal Scott III and Mark Thomas Sorrentino II, design, layout, formatting, mixing by Mark Thomas Sorrentino II, cover painting by Abigail Buford.

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Aniveuxlet Dallas, Texas

Aniveuxlet is Mark Thomas Sorrentino II, Dallas, TX musician, producer, luthier.

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